Source: Truths You Won’t Believe
Debunking more lies and racist misinformation about black men. Stop the ignorance and start to question why these myths exist in the first place, if not to demonize black men and promote the image of us as inherently criminal and violent and incapable of being educated.
Alexia Webster is a freelance photographer born in Johannesburg and based in Cape Town, South Africa.
Tired of a world where photos are so often taken but so rarely given, we created free outdoor photo studios on street corners around the country.
The images in this series are from five street studios that were set up in Hillbrow in Johannesburg, Woodstock, Blikkiesdorp, Du Noon and Cape Town city center. We invited passing families, individuals and groups of friends to pose at this temporary studio, and they received a free photograph on site to take home with them for their family album.
Nas - “’93 Stretch & Bobbito Freestyle”
Cornel West: I’m a militant for tenderness and radical love.
1975 MINNIE RIPERTON “Adventures In Paradise”
“Adventures in Paradise, the follow-up to Perfect Angel — an album featuring Minnie Riperton’s biggest hit, much assistance from Stevie Wonder, and several of his associates, as well as an iconic outer sleeve — tends to be viewed as a flop, at least by those who disregard Minnie as a novelty one-hit wonder. If the album is a flop on principle because none of its three singles was as big as “Lovin’ You,” or because Stevie was no longer around, so be it, but it’s borderline classic by any other measure. The key collaborators here, outside of Minnie’s songwriting husband Richard Rudolph, include keyboardist Joe Sample, guitarist Larry Carlton, saxophonist Tom Scott, and harpist Dorothy Ashby. Hardly poor substitutes. Most importantly, the album’s three central songs were co-written with Leon Ware, who had come up with the Jackson 5’s “I Wanna Be Where You Are” and was on the brink of writing what would become the entirety of Marvin Gaye’s I Want You, along with his own excellent Musical Massage. Each of the Riperton/Rudolph/Ware songs ooze playful sensuality, desire, and lust — especially “Inside My Love” (a Top 30 R&B single), a swooning slow jam filled with double entendres. If it weren’t for the supremely seductive innocence in Minnie’s voice, the words would likely fall flat in their directness (“You can see inside me/Will you come inside me?/Do you wanna ride inside my love?”) The opener, “Baby, This Love I Have,” is even more heated, with Minnie’s frustrated yearning wrapped around a lithe arrangement. (It’s gentle six-note guitar-and-bass intro would later resurface in A Tribe Called Quest’s “Check the Rhime.”) The songs written by Minnie and Rudolph alone match up well with the best of Perfect Angel, and they’re deceptively eclectic, mixing and matching soul and rock with touches of country and adult pop. The album was tailor made for the kind of ’70s radio format that would not balk at spinning Boz Scaggs, LTD, and Fleetwood Mac back-to-back-to-back. But, for whatever reason (poor promotion, closed minds), it did not do nearly as well as it deserved.” Andy Kellman allmusic.com