Joe Jackson - “Another World”
George Benson - “Em”
A Great Day in Harlem, Art Kane (1958)
01 – Hilton Jefferson, 02 – Benny Golson, 03 – Art Farmer, 04 – Wilbur Ware, 05 – Art Blakey, 06 – Chubby Jackson, 07 – Johnny Griffin, 08 – Dickie Wells, 09 – Buck Clayton, 10 – Taft Jordan, 11 – Zutty Singleton, 12 – Red Allen, 13 – Tyree Glenn, 14 – Miff Molo, 15 – Sonny Greer, 16 – Jay C. Higginbotham, 17 – Jimmy Jones, 18 – Charles Mingus, 19 – Jo Jones, 20 – Gene Krupa, 21 – Max Kaminsky, 22 – George Wettling, 23 – Bud Freeman, 24 – Pee Wee Russell, 25 – Ernie Wilkins, 26 – Buster Bailey, 27 – Osie Johnson, 28 – Gigi Gryce, 29 – Hank Jones, 30 – Eddie Locke, 31 – Horace Silver, 32 – Luckey Roberts, 33 – Maxine Sullivan, 34 – Jimmy Rushing, 35 – Joe Thomas, 36 – Scoville Browne, 37 – Stuff Smith, 38 – Bill Crump, 39 – Coleman Hawkins, 40 – Rudy Powell, 41 – Oscar Pettiford, 42 – Sahib Shihab, 43 – Marian McPartland, 44 – Sonny Rollins, 45 – Lawrence Brown, 46 – Mary Lou Williams, 47 – Emmett Berry, 48 – Thelonius Monk, 49 – Vic Dickenson, 50 – Milt Hinton, 51 – Lester Young, 52 – Rex Stewart, 53 – J.C. Heard, 54 – Gerry Mulligan, 55 – Roy Eldgridge, 56 – Dizzy Gillespie, 57 – Count Basie.
Hip-Hop Artist Akala on -
A panel including hip-hop artist Akala, CEO of Working With Men Shane Ryan, writer and broadcaster Ekow Eshun and filmmaker, theatre director and writer Topher Campbell look at the contradictory and complex ideas around Black masculinity and what tensions arise from stereotypes, colonial histories and economic power.
"There are no natural barriers. It’s all music. It’s either hip or it ain’t." Lee Morgan
"I think a definite style comes with living and experience and traveling until you play what you are, you play yourself on the horn." - Lee Morgan
Max Roach - “Garvey’s Ghost”
Divided Family: Through Music, Cubans Trace Their Roots To Sierra Leone
It is often said that music has the power to bring people together. That sentiment is definitely an understatement when it comes to the Afro-Cubans community Ganga-Longoba of Perico.
Cuba’s Ganga people have been singing the same African chants for generations, but it wasn’t until an Australian researcher took interest in the songs, that they were able to trace their chants to a remote village in Sierra Leone, 170 years after the slave trade.
“When I first filmed the Ganga-Longoba, I believed their ceremonies were a mixture of many different ethnic groups,” says historian Emma Christopher, of Sydney University. “I had no idea that a large number of Ganga songs would come from just one village. I think that’s extremely unusual,” she says.
After tracing their roots back to Sierra Leone, four Cubans made the trip to the African country to delve more into their history. Christopher captured the moment for the documentary They Are We.
"Cuba was cut off at a time when other nations in the Americas were going through black pride and fighting for some justice for what happened to their ancestors," says Dr. Christopher, who points out that the island’s 1959 revolution declared racism ‘solved’. That left a lot of Afro-Cubans adrift, not knowing how to celebrate where they came from and be proud of it," she says.
Whilst many Cubans of Spanish descent have rushed to seek out their ancestry—and passports—Afro-Cubans have been far less anxious to do the same. Organizing a reunion for the divided “family” wasn’t easy given restrictions on traveling from Cuba at the time, and limited resources. But eventually, four Cubans did make their ancestors’ voyage in reverse - to Sierra Leone.
“When I opened my mouth to sing, they just stood there staring,” Elvira Fumero recalls of her arrival in Mokpangumba. “Then it was like an explosion. They started to sing the responses, and dance with me. And I knew then that this was where the Ganga came from,” she says, smiling.
For Alfredo Duquesne, visiting Sierra Leone changed everything.
"It was as if I’d just left the previous weekend. I touched the soil and thought: ‘This is it. I’ve come back,’" he says, describing himself now as ‘at peace’. "At last I know where I come from," Alfredo says. "I’m not a stranger anymore."
NPR Jazz Set
Mulgrew Miller Trio at the Kennedy Center
Mulgrew Miller’s trio is heard in this 2012 Kennedy Center Jazz Club performance recorded by NPR for Jazz Set. He died suddenly a year later. Woody Shaw first turned me on to Mulgrew when the young pianist was working with Mercer Ellington. He had intended to hire him but Betty Carter beat him to it. In 1980 Mulgrew finally joined Woody’s quintet. What an exceptional tasteful pianist he was, always at the top of his game. When I was helping Tony Williams assemble an acoustic quintet in 1986, Mulgrew became first choice for the piano chair and remained for the next 6 years.
-Michael CuscunaListen Here…
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